12/7/2023 0 Comments Kansas city jazz stylee) In rhythmic terms, the Kansas City bands tended to swing more intensely and with greater abandon than the East Coast dance bands. Bop harmonies and melodies were more complex than in any preceding jazz style D) Bops style, tempo, and complexity led to a reduced emphasis on solo improvisation E) Bop tempos were faster than any jazz had ever been Points Earned: 1.0 8. d) Kansas City musicians relied heavily on "head charts," arrangements that evolved during jam sessions and were written down only later. While drawing its roots from Kansas City Swing, Bebop was a radically new style of jazz. c) Few of the jazz musicians in Kansas City had the formal music education of East Coast musicians and often played with a looser, less precise feeling. b) The Kansas City style was more closely linked to the country blues tradition than the style of the New York bands, and it relied more heavily on riffs. a) Territory bands such as the Bennie Moten Orchestra and Andy Kirk's Blue Devils toured the American Southwest, developing a hard-swinging, powerful style with lots of room for improvised solos. During the 1920s and early 1930s, black dance bands in Kansas City had developed their own distinctive approach to playing hot dance music. typical of Chicago/SW jazz style -Home of many SW and Central territory bands -considered home of the Boogie Woogie -"Kansas City Swing" -Kansas City Style: -Heavy Blues Influence -Four-beat relaxed drive -less formal arrangement -Head Arrangements: -Boogie Woogie -Blues piano style as early as 20s -Popular in Kansas city and Chicago in 20s -Popular in NYC by 30s -Very similar to stride -strong left-hand rhythm 4/4 time -right hand-blues patterns -cross-rhythm between right and left -very popular during WWII -"Its All Right, Baby" -Many of the greatest jazz musicians honed their improvisational skills in Kansas City at competitive all-night jam sessions or cutting sessions.
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